Highland band leader
Born: May 7, 1936;
Died: September 5, 2015
ACCORDIONIST Colin Campbell, who has died aged 79, fronted his own Highland Band for more than 20 years and was considered one of Scotland's greatest-ever "box" players, with magical dancing fingers. Oban-born and bred, he toured with his band throughout the UK, including at London's Festival Hall and Royal Albert Hall, and on several trips to Canada to get expat Scots' feet tapping.
Colin Campbell and his Highland Band, with Colin often singing and playing solo accordion, were one of Scotland's top bands of their era, from the mid-1960s through all of the 1980s. But they also played with many other Scottish acts including the Corries, Robin Hall and Jimmie Macgregor, Jimmy Shand and his Band, Alasdair Gillies, the great gaelic singer Donald MacRae, Calum Kennedy, the Edinburgh City Pipe Band and the Cape Breton Fiddlers. Mr Campbell's band, with his great pal Billy Ford on drums, was one of the most-travelled and possibly the hardest-working in the country and Mr Campbell, a joiner by trade, became known both in the music business and in his trade as "the Giant." He was not particularly tall, though well-built, and the nickname came more from respect and the fact that his catchphrase was "don't worry, leave it in the hands of the Giant."
Resplendent in Ancient Campbell tartan jackets and often kilts, the band's secret was a distinctive "West Coast Swing," with their own compositions and superb arrangements, usually by Mr Campbell himself, a self-taught but naturally-gifted musician. They cut numerous albums, EPs, singles and cassettes over the years, in the days before CDs, and were invited to Canada to play on the top-rated TV series Ceilidh and with the Cape Breton Fiddlers of Nova Scotia. But away from the recording and TV studios and the big concert halls they were equally at home "up close and personal" with small appreciative audiences in pubs, hotels or village halls, in the early days packing themselves and instruments into an old Ford Cortina with the double bass strapped to the roof.
Colin Campbell and his Highland Band represented Scotland for two years running at the Welsh International Eisteddfod, where they played with the Corries, Roy Williamson and Ronnie Browne, when the Edinburgh folk duo were at their peak with Williamson's composition Flower of Scotland. In the early '70s, Mr Campbell's band played every week with Alasdair Gillies on his STV programme Alasdair Sings, which occasionally beat even Coronation Street in the ratings. Mr Gillies became a dear friend and visited Colin during his illness.
Mr Campbell, full-of-life and "as fit as his accordion" (his daughter Fiona's words) until last month, was diagnosed just three weeks before his death with mesothelomia, a rare and aggressive form of cancer caused by earlier exposure to asbestos, presumably from his younger days as a joiner.
Fiona Campbell told me her father would have wanted to point out that Glasgow and West Dunbartonshire have possibly the highest incidence of asbestos-related disease in the entire UK and anyone concerned should contact the campaign group Clydeside Action on Asbestos, based on High Street, Glasgow. No-one noticed Mr Campbell's illness until he demanded an X-Ray because of his horrendous pain. By then it was too late.
After he stopped touring with the band around 1990, Mr Campbell played solo accordion in his favourite local venues, including Oban's McTavish's Kitchens and the Park Hotel. (He was also known in Oban's hotels and hospitals as their Mr Fixit, a perfectionist joiner and carpenter). His family also dubbed him Mr Safety after he insisted on installing 10 smoke alarms in his old school, Rockfield. Towards the end of his life, he fought passionately to prevent the school from closing down and to see it taken over by the community. For it, he wrote a special tune, the Rockfield Polka. Behind his Excelsior accordion, he also provided apres-ski entertainment as part of the resident trio at the Strathspey hotel in Aviemore.
Colin Campbell was born on Stevenson Street, Oban, in 1936, one of three children of Collie and Jean Campbell. He was a direct descendant of Sir Duncan Campbell of Glenorchy - "Black Duncan." He went to the local Rockfield School, which he would staunchly support later in his life, and to Oban High School, where his father was janitor. A keen shinty player at school, he went on as a young man to play for Oban Camanachd (the Camancheroes) once reaching the Scottish cup final only to be beaten by Newtonmore.
He taught himself to play the accordion when he was 10 and was only 14 when he started his own country dancing band while doing his five-year apprenticeship as a joiner. It was while playing at a dance in Oban that he met Lorna Black, a Jordanhill student from Glen Douglas, by Loch Long, who was working in Oban's Park Hotel as a summer job. They married in Garelochhead in 1959, a marriage that lasted, as they had pledged, until they were parted by his death. Mr Campbell had recorded an accordion song for her, Lorna Campbell of Feorlln.
His daughters recalled him using his carpentry skills to carve their own wooden toys, notably boats with their individual names engraved. When family, friends or neighbours needed something done around the house, they called in "the Giant."
Colin and Lorna lived almost all their married years in a house called Feorlin, just behind Oban's landmark McCaig's Tower, the uncompleted would-be copy of Rome's Colosseum. After Lorna converted the house into a B&B, Mr Campbell helped welcome and entertain guests who often returned year after year to hear him play the accordion or tell old Scottish tales, and to drool over Lorna's Stornoway black pudding and homemade rhubarb and ginger jam. She was forced to close the B&B only recently after Mr Campbell's illness, much to the chagrin of regular guests.
Colin Campbell is survived by his wife Lorna, daughters Fiona, Alison, Lorna and Audrey, 14 grandchildren and two great grandchildren. One of his favourite tunes was Men of Argyll, of which he was proudly one.
PHIL DAVISON
Why are you making commenting on The Herald only available to subscribers?
It should have been a safe space for informed debate, somewhere for readers to discuss issues around the biggest stories of the day, but all too often the below the line comments on most websites have become bogged down by off-topic discussions and abuse.
heraldscotland.com is tackling this problem by allowing only subscribers to comment.
We are doing this to improve the experience for our loyal readers and we believe it will reduce the ability of trolls and troublemakers, who occasionally find their way onto our site, to abuse our journalists and readers. We also hope it will help the comments section fulfil its promise as a part of Scotland's conversation with itself.
We are lucky at The Herald. We are read by an informed, educated readership who can add their knowledge and insights to our stories.
That is invaluable.
We are making the subscriber-only change to support our valued readers, who tell us they don't want the site cluttered up with irrelevant comments, untruths and abuse.
In the past, the journalist’s job was to collect and distribute information to the audience. Technology means that readers can shape a discussion. We look forward to hearing from you on heraldscotland.com
Comments & Moderation
Readers’ comments: You are personally liable for the content of any comments you upload to this website, so please act responsibly. We do not pre-moderate or monitor readers’ comments appearing on our websites, but we do post-moderate in response to complaints we receive or otherwise when a potential problem comes to our attention. You can make a complaint by using the ‘report this post’ link . We may then apply our discretion under the user terms to amend or delete comments.
Post moderation is undertaken full-time 9am-6pm on weekdays, and on a part-time basis outwith those hours.
Read the rules here