As the first acts on the 2025 Edinburgh International Festival (EIF) programme are announced, festival director Nicola Benedetti said “the toughest battle of all” is innovating while at the same time preserving tradition.
The 78th edition of the world-famous performing arts festival has the theme The Truth We Seek, and will invite audiences to examine their relationship with truth through a curated programme of music, dance, theatre and opera.
The festival will include the world premiere of Scottish Ballet’s Mary, Queen Of Scots, which explores the stories around Mary’s life and legacy from the perspective of Elizabeth I.
It will also see the European premiere of a “bold re-imagining” of Orpheus And Eurydice by Australian Opera, featuring acrobatic artistry by circus ensemble Circa and performances by the Scottish Chamber Orchestra and Scottish Opera Chorus.
Audiences will also have the opportunity to see the European debut of US-based National Youth Orchestra 2, showcasing “the next generation of musicians” and inaugurating a new three-year creative programme with Carnegie Hall in New York.
As well as international performers, Benedetti said the festival organisers were “really proud” the programme includes all five of the Scottish national arts companies, and “within that some really exciting premieres”.
She continued: “One in particular that we’re announcing now is from Scottish Ballet, the Mary Queen of Scots premiere, which will be, I’m sure, absolutely spectacular.
“Scottish Ballet has been so innovative in their new productions, and we’re just honoured to be presenting this work for the first time.”
The organisers said involving national arts companies would support artists, create jobs, and showcase homegrown talent on an international stage, something Ms Benedetti said reflected the “solidarity” of the festival with a Scottish arts sector that finds itself in a “precarious” position financially.
READ MORE:
- Line-up revealed for Summer Nights on the Southside festival
- Frankie Boyle and Nicola Sturgeon among headline acts at GICF
At the same time, she said, the festival was “putting our money where our mouth is” when it came to making performances affordable, pointing out that in 2024 50% of tickets were £30 or under, with £10 tickets being available for every performance.
“I was as focused on that as I was about protecting our artistic identity and artistic excellence, so you’ll see that we continue to be extremely ambitious with what we make available.”
Benedetti described the theme of the 2025 festival, The Truth We Seek, as “somewhat facetious”, explaining that “I’m really wondering whether we do seek the full truth and perspective of another.”
She said: “Within our homes or workplaces, amongst loved ones or colleagues, we all experience trying to piece together indignantly expressed, absolutely believed, yet utterly contradictory truths.
“How often are we able to rise above our own bubble?”
She added: “The world of the arts is always one that can open those doors in a way that is less divisive than when we try to bring people from varying perspectives and cultures and backgrounds together.
“It can be an area of where that conversation can be had with a lot of curiosity and less damage done.”
She continued: “But I also think you need the humility to go ‘what is it that we don’t understand about the specific mix of people that were put in positions of influence?’
“And what is it about the vibration and the undercurrent of the walls and streets of Edinburgh that allowed for that standing to grow in the way that it has?'”
She said the challenge now was discovering a future for the festival where it felt innovative and current while at the same time preserving tradition.
“There’s always huge amounts of explosive energy that that centre around change and around newness,” she said.
“But when you are also preserving tradition, that’s the toughest battle of all.”
The 2025 Edinburgh International Festival takes place from August 1-24 2025.
The full programme for the festival will be announced with tickets going on sale in March 2025.
Why are you making commenting on The Herald only available to subscribers?
It should have been a safe space for informed debate, somewhere for readers to discuss issues around the biggest stories of the day, but all too often the below the line comments on most websites have become bogged down by off-topic discussions and abuse.
heraldscotland.com is tackling this problem by allowing only subscribers to comment.
We are doing this to improve the experience for our loyal readers and we believe it will reduce the ability of trolls and troublemakers, who occasionally find their way onto our site, to abuse our journalists and readers. We also hope it will help the comments section fulfil its promise as a part of Scotland's conversation with itself.
We are lucky at The Herald. We are read by an informed, educated readership who can add their knowledge and insights to our stories.
That is invaluable.
We are making the subscriber-only change to support our valued readers, who tell us they don't want the site cluttered up with irrelevant comments, untruths and abuse.
In the past, the journalist’s job was to collect and distribute information to the audience. Technology means that readers can shape a discussion. We look forward to hearing from you on heraldscotland.com
Comments & Moderation
Readers’ comments: You are personally liable for the content of any comments you upload to this website, so please act responsibly. We do not pre-moderate or monitor readers’ comments appearing on our websites, but we do post-moderate in response to complaints we receive or otherwise when a potential problem comes to our attention. You can make a complaint by using the ‘report this post’ link . We may then apply our discretion under the user terms to amend or delete comments.
Post moderation is undertaken full-time 9am-6pm on weekdays, and on a part-time basis outwith those hours.
Read the rules hereLast Updated:
Report this comment Cancel