Alan Cumming and Forbes Masson were the star attractions at a sold-out finale of the 2024 Wigtown Book Festival.
The pair kept a packed-out marquee and shared anecdotes about their lives as well as discussing their new book Victor & Barry’s Kelvinside Compendium: A Meander Down Memory Close.
The comedy duo earned huge fame and affection for their characters Victor and Barry and as Steve McCracken and Sebastian Flight in the hit comedy ‘The High Life’.
They also spoke about how they were encouraged to lose their Scottish accent while they were students because it would be a barrier to an acting career.
That has led them to discuss the importance of coming from a country that valued the arts and of being confident in the culture and identity of Scotland.
Mr Cumming said: “A Scottish accent was seen as a demerit rather than a good thing.”
READ MORE
- Trump, Romans and Big Wigs: Programme unveiled for Wigtown Book Fest
-
James Cosmo: 'I tended to play Bigfoot lumps. I did a lot of tough-guy stuff'
-
Kevin McKenna: Pam Ayres made my day at the Wigtown Book Festival
And Mr Masson continued: “We were one of the first years to rebel against that and Victor and Barry were part of that – it was a confident Scottish voice.
“And we had to keep fighting our corner and keep speaking in our own voice. Over our lifetime Scotland has gained confidence.”
Cumming said that these days people are encouraged to have their own voices, but recalled how different it was in the past: “When I went to live in America for the first time, I realised that all the things that people were celebrating me for were the things that I had been slightly been derided for when I lived in London, my voice, my attitude, my difference, my values.
“These were the things that people said ‘oh, we like that’. And I was like, oh gosh, it is pretty good, isn't it.”
They are now working on a musical version of The High Life alongside Johnny McKnight, while Mr Masson is rehearsing a new production of The Tempest at the Theatre Royal, Drury Lane, in which he will play Caliban alongside Sigourney Weaver.
Recently announced as the new artistic director of Pitlochry Festival Theatre, Mr Cumming expressed major ambitions for the organisation as well as the importance of public sector support for the arts.
He said: “I feel Pitlochry is like a football, I want to really kick it into the air and take it into the stratosphere.
“I really do feel that Scotland has given me everything.
“It's given me my education. It gave me my start in theatre and subsidised theatre, I got to do all these plays and make mistakes and that was all funded by a government and a country that valued the arts and valued culture.
“It’s a huge, huge boon to any artist to live in a country that thinks the arts are worthwhile and not just in terms of the amount of money they bring back.”
Mr Masson praised the Wigtown Book Festival saying: “It's great to see what the book festival has done here, how important it's been, how it's rejuvenated everything.
“The arts are the beating heart of our nation, and it's important that we sustain that and feed it.”
The festival took place over 10 days in Scotland’s national book town and the second weekend included a ‘festival-in-a-festival’ devoted to food.
Hosted by The Hebridean Baker Coinneach MacLeod, guests included Scotland’s National Chef Gary MacLean, MasterChef finalist Sarah Rankin, Bake Off winner Peter Sawkins and maker of amazing modern Indian cuisine Sanjana Modha.
The festival also welcomed graphic artist Mollie Rae and Jessica Hepburn – the only woman to have climbed Everest, swum the channel and completed the London Marathon – all while listening to Desert Island Discs.
Spectator Literary Editor Sam Leith presented a history of childhood reading.
Adrian Turpin, Wigtown Book Festival Artistic Director, said: “It’s hard to imagine a more joyful end to the festival, which has drawn thousands of visitors from across the UK to Scotland’s National Book Town.
“Forbes and Alan’s commitment to Scottish culture was a rallying cry at a time when the whole arts sector faces increasing uncertainty.”
Why are you making commenting on The Herald only available to subscribers?
It should have been a safe space for informed debate, somewhere for readers to discuss issues around the biggest stories of the day, but all too often the below the line comments on most websites have become bogged down by off-topic discussions and abuse.
heraldscotland.com is tackling this problem by allowing only subscribers to comment.
We are doing this to improve the experience for our loyal readers and we believe it will reduce the ability of trolls and troublemakers, who occasionally find their way onto our site, to abuse our journalists and readers. We also hope it will help the comments section fulfil its promise as a part of Scotland's conversation with itself.
We are lucky at The Herald. We are read by an informed, educated readership who can add their knowledge and insights to our stories.
That is invaluable.
We are making the subscriber-only change to support our valued readers, who tell us they don't want the site cluttered up with irrelevant comments, untruths and abuse.
In the past, the journalist’s job was to collect and distribute information to the audience. Technology means that readers can shape a discussion. We look forward to hearing from you on heraldscotland.com
Comments & Moderation
Readers’ comments: You are personally liable for the content of any comments you upload to this website, so please act responsibly. We do not pre-moderate or monitor readers’ comments appearing on our websites, but we do post-moderate in response to complaints we receive or otherwise when a potential problem comes to our attention. You can make a complaint by using the ‘report this post’ link . We may then apply our discretion under the user terms to amend or delete comments.
Post moderation is undertaken full-time 9am-6pm on weekdays, and on a part-time basis outwith those hours.
Read the rules here