It is a collection of national and international significance. Home to almost 9000 items, the Burrell Collection opened its doors in 1983.
It has a rich and varied scope spanning six millennia, ranging from ancient prehistoric artefacts to ground-breaking works by Impressionists such as Manet and Degas. Its strengths lie in late medieval art, Chinese ceramics, bronzes and jades, Islamic pile carpets and French nineteenth-century paintings.
The collection, which reflects Sir William Burrell’s lifelong passion for art and history, was donated to the City of Glasgow by Sir William and Constance, Lady Burrell.
Read more: Glasgow's Burrell Collection reveals public reopening date
The decision to give the collection to Sir William’s home city in 1944 has been described as, “one of the greatest gifts a city has ever received”. With responsibility to care for the Collection and deliver on the terms of the Deed of Gift, Glasgow Life must also ensure it remains accessible to the people of Glasgow and visitors to the city.
Here is the history of the Burrell Collection:
1944 Sir William Burrell and Constance, Lady Burrell gift their Collection of 9,000 works of art to the City of Glasgow
1967 Pollok Country Park is gifted to the city by the Stirling-Maxwell family, whose ancestral home is Pollok House
1969 Sir William Burrell Trust agree to proposal for a purpose-built home for the Collection to be constructed in Pollok Country Park
1971 International competition launches to design a home for the Collection, to meet the terms of the Deed of Gift set by Sir William Burrell (1861-1958)
1972 Winning architectural team announced: Barry Gasson, John Meunier and Brit Andresen
1978 Construction works begin on site
1983 The Burrell Collection is officially opened on 21 October by Her Majesty The Queen
1984 The museum welcomes over 1 million visitors in its first year of opening
1999 Glasgow is UK City of Architecture and Design. The Burrell Collection is widely recognised as having helped bring these and many other accolades to the city, acting as a catalyst for Glasgow’s transformation into a cultural powerhouse
2013 The Burrell Collection becomes a Grade A listed building, acknowledging its significance
2014 Scottish Parliament approves a bill allowing loans to and from The Burrell Collection to be made around the world
2014 Community consultation process begins involving 15,000 local people in order to make the art works relevant for current and future generations
2015 Selected works of art begin an international tour of France, North America and Japan as well as the UK, seen by more than 1 million people
2016 The Burrell closes to the public for a major refurbishment and redisplay
2016 John McAslan + Partners appointed as architect for the refurbishment and redisplay
2017 Kier Construction Scotland appointed as main contractor
2018 Construction works begin on site
2018 A series of temporary exhibitions begins at Kelvingrove Art Gallery and Museum featuring works by artist Joseph Crawhall (1861-1913) and highlights of the Medieval and Chinese Collections
2019 European Commission names Glasgow the ‘UK’s top cultural and creative city’
In spring the pandemic forced work to stop; once it restarted a sequential approach to construction and changing Covid-19 safe working methods led to a revised completion date
2021 Conde Nast names Glasgow the ‘Best UK city break destination’
2022 The Burrell Collection is due to reopen to the public on March 29
Why are you making commenting on The Herald only available to subscribers?
It should have been a safe space for informed debate, somewhere for readers to discuss issues around the biggest stories of the day, but all too often the below the line comments on most websites have become bogged down by off-topic discussions and abuse.
heraldscotland.com is tackling this problem by allowing only subscribers to comment.
We are doing this to improve the experience for our loyal readers and we believe it will reduce the ability of trolls and troublemakers, who occasionally find their way onto our site, to abuse our journalists and readers. We also hope it will help the comments section fulfil its promise as a part of Scotland's conversation with itself.
We are lucky at The Herald. We are read by an informed, educated readership who can add their knowledge and insights to our stories.
That is invaluable.
We are making the subscriber-only change to support our valued readers, who tell us they don't want the site cluttered up with irrelevant comments, untruths and abuse.
In the past, the journalist’s job was to collect and distribute information to the audience. Technology means that readers can shape a discussion. We look forward to hearing from you on heraldscotland.com
Comments & Moderation
Readers’ comments: You are personally liable for the content of any comments you upload to this website, so please act responsibly. We do not pre-moderate or monitor readers’ comments appearing on our websites, but we do post-moderate in response to complaints we receive or otherwise when a potential problem comes to our attention. You can make a complaint by using the ‘report this post’ link . We may then apply our discretion under the user terms to amend or delete comments.
Post moderation is undertaken full-time 9am-6pm on weekdays, and on a part-time basis outwith those hours.
Read the rules hereLast Updated:
Report this comment Cancel