BACK in the sixteenth century, the desirable castle might have been
measured by the thickness of its walls, the stoutness of its
fortifications and its defensive position. Nowadays, castle ownership is
a much more romantic proposition, and there are few more atmospheric and
beautiful fortified homes in Scotland than Earlshall Castle at Leuchars,
near St Andrews.
Anyone who has climbed its twisting stone stairs or strolled in the
beautiful gardens must surely have dreamed, even briefly, of living
beneath its exceptional painted ceilings. Just to hear the present
Baroness of Earlshall talk of taking her morning coffee out onto the
terrace above the rose garden is to suffer a definite pang of envy.
Above her the rooks are calling in the trees, her favourite French
rose is tumbling down the stonework, and Henry the gardener is giving
the ''topes'' their annual trim.
Just one of the delightful features that makes Earlshall so special is
the sculptured yews set out like massive chess pieces on the lawn. The
present baroness, who has spent the last 11 years restoring the garden,
affectionately refers to them as the topes.
She then goes on to explain how the clippings are saved for a company
that uses them to make a drug for treating cancer. Scottish yew is
apparently particularly effective.
It's unlikely that Sir Robert Lorimer was thinking of their medicinal
attraction when they were planted to his design while he restored the
castle at the end of the last century.
''They are said to have been bought from a disused garden in
Edinburgh,'' explains the baroness. ''They were cut into fanciful
shapes, which are not actually chess pieces but are laid out in the
shape of four Saltires.''
Sir Robert Lorimer, who has been called Scotland's greatest architect,
first came to Earlshall around 1890 when he was newly qualified. At the
time, the castle was in a state of decay and neglect, but a Perth bleach
merchant called Robert Mackenzie had decided to buy and restore it as a
home.
His friends apparently thought him mad to even think about it, but the
atmosphere and the surrounding 34 acres of park and woodland not
surprisingly appealed to Mackenzie.
Though dating from the middle of the sixteenth century, Earlshall was
built with English-style large windows rather than the Scottish style of
more secure slit windows, however musket loops and smaller windows were
included in strategic places for defence against intruders.
The charm and restraint of Lorimer's beautiful restoration is evident
from the painted ceilings to the delightful stained glass window
details. He is said to have later told two of his apprentices that he
considered it his finest work.
In the dining room, Lorimer replaced a crumbling wood screen with a
new one based on the roodscreen in the chapel at Falkland Palace, while
adding foliage and birds to the lower section, but his greatest
achievement was rescuing the original painted ceiling in the Long
Gallery.
It is painted in black and grey and runs the full length of the 50ft
foot room, showing the coats of arms of many of the principal families
of Scotland as well as those of European royalty. Sir William Bruce, who
built the castle in 1546, sat beneath the royal coat of arms of James VI
when he was holding his Courts of Barony. He is said to have received
Mary Queen of Scots at Earlshall in 1561, and later her son King James.
Heritage is fine when viewed for the price of an entrance ticket and
from behind a discreet rope, but actually living beneath wonderful old
ceilings or in rooms that have seen the passing of nearly 450 years
could be like setting up home in a museum.
The notion is instantly dismissed by the baroness, who is clearly not
the sort of woman who would live in anything other than a comfortable
home with all the modern conveniences. She and her husband, David
Baxter, the present Baron of Earlshall, are leaving with obvious sadness
due to his health and they continue to care lovingly for their home as
they have done from the moment they took it over.
She disarmingly points to a quaint warning painted over a door in the
long gallery when asked what first convinced her to live in Earlshall.
''A Nice Wyf and A Back Doore Oft Maketh a Rich Man Poore,'' reads the
legend.
''It just appealed to me,'' she says. ''You have to remember, though,
that when it was written the word nice meant simple or ignorant, while a
wyf was a housekeeper. It was really a note to the housekeeper to ensure
that the laird's possessions were not purloined.''
Gifted gardener as she clearly is, the baroness recalls that when they
arrived at Earlshall the gardens did not seduce her.
''They were given to me by my husband, and frankly I didn't exactly
rush to thank him. I knew nothing about gardening and was faced with a
plot that was on the brink of disaster.
''Fortunately ignorance is bliss, and I had a wonderful helper in
Henry Collier, who has been here for many years, and Flora Wright, who
is one of the guides now and a good friend. I will never forget Flora
standing in the orchard pulling up waist high nettles and weeds.''
Today the gardens, herbaceous borders, herb plot and orchard are in
such wonderful shape they have earned a star in the Good Garden Guide.
Rather than fending off invaders, the castle is currently open to the
public who are immediately aware of being in a family home. It has seven
bedrooms in the main tower and a comfortable and spacious adjoining
service flat where the baron and baroness have their studies, three more
bedrooms, a large modern kitchen and store rooms including a game
larder.
Among its more unusual features are a dumb waiter, a secret panel, a
doocot and a fine flagpole.
As a home, the castle proper is surprisingly compact and warm. The
relatively small windows and thick walls keep out draughts, while a
striking red boiler tucked away in an outhouse brings twentieth century
comfort.
The main rooms are on the first floor including the great hall, the
dining room and the drawing room. There is also a cosy ''sma'' room used
as a pretty sitting room with its old painted ceiling.
Some of the bedrooms on the upper floors -- all reached by twisty
stairs -- have ornate painted ceilings, panelling and views over the
gardens
A walk edged by bleached lime trees and a saltire pattern of pebbles
and pavings leads to the gatehouse, which offers a further four bedrooms
and two bathrooms. The whole house, including the sitting room, kitchen
and utility room, has been newly refurbished.
The original sixteenth century outbuilding, known as Dummy Daws after
an eighteenth century coachman called Daws, who wasdumb, has been used
as a tearoom and shop. It forms one side of the cobbled courtyard and it
was probably home to the Bruces when they were still a relatively humble
family. At the top of its tower is a lovely room, restored by Lorimer,
with a pretty window and a plasterwork ceiling decorated with a vine
leaf pattern.
Anyone wishing to visit the public rooms in the castle and the gardens
can do so daily from 1 to 6pm.
More information on the sale of Earlshall, at offers over #675,000,
can be had from Savills at 46 Charlotte Square, Edinburgh, 031 226 6961.
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