Heavy industry may be conspicuous by its absence in Lanarkshire, but
one legendary name lives on in the town of Biggar. WILLIAM HUNTER
reports.
HOW the mortal remains of the best part of the Scottish motor industry
have come to rest in a quiet (not to say one-horse) market town that
makes woolly goods is an epic yarn that takes some unravelling. Knitted
together are two separate strands of local history in Lanarkshire which
supply the tow between little Biggar (population 2000) and the
once-mighty Albion Motor that had a peak payroll of half as many people
again.
As Biggar begat the Albion in a tenement workshop up a close in
Glasgow, so it is on the road to providing a final parking place for its
offspring. First, a remarkable story has to be reversed into.
This industrial saga grew from traditional country skills. For
Albion's start to becoming a road haulier of the world's goods was
engineered by farm hands. History also tells how a little-frequented
rural patch leapt in two bounds from the Middle Ages into a driving seat
of the auto age.
Biggar began as a halfway place. It was where early pilgrims rested on
their progress from Edinburgh to Whithorn. Ore from the mines of
Leadhills on route to export from Leith wintered in Biggar. As well as
woollens it makes agricultural machinery. There are good hopes of
becoming more of a holiday destination.Apart from being the last home of
the poet Hugh MacDiarmid, so far as Biggar is much known at all, it is
as museumsville.
Biggar Museum Trust has six museums as well as caring for other
refuges of the past, including MacDiarmid's cottage. For its size it is
a town that has museums the way other places have Indian restaurants.
(Biggar has them, too.)As to why it has become so much of a conservation
area the only person to ask is Brian Lambie, who used to have an
ironmonger's shop on High Street, except that listening to him when he
explains what ignited Biggar's enthusiasm for museums is like sparking a
box of joke matches.
He just says that he has always liked gathering stuff, or what he
calls junk. His further pleasure is to put the blame on the Biggar
bonfire.At Hogmanay on a cobbled part of the main street is lit a pagan
pyre that Biggar keeps burning all through the night to Ne'erday
morning. To feed the blaze the children of the town gather fuel from the
beginning of December. And when Brian Lambie, who is 62, was a keen
young stoker there was much exotic junk for burning.
He recalls: ''It was just after the war and lots of people were moving
into new houses. All sorts of lovely stuff was being thrown out.'' His
eyes still glow about the find of a set of the First Statistical Account
of Scotland in a midden. ''There were lots of things I took home instead
of to the fire,'' he now confesses.
Once started, there was no stopping his obsession (his word) for
amassing everyday bric-a-brac, or junk. Then there came the day when he
had to decide whether to find a treasure-house for his collection or
another house for himself.So out of a former gospel hall was born
Biggar's Gladstone Court Museum, a happily regretful street museum of
wee shops and offices that evokes small-town life of yore -- the
chemist, the dressmaker, a bank, the bootmaker, a village library, the
local printer's emporium, and (of course) the ironmonger's.
Spectacularly out of place, and lording it, among so many foolish (and
ordinary and magical) things is an Albion dogcart, vintage l902. It has
back-to-back seats and a tiller to steer it. Its list price was about
#280, not cheap. Biggar found this pioneer horseless carriage in
Honolulu and it was brought to Gladstone Court for #40,000.
To put a starting handle to the Albion story calls for going farther
back down the Biggar road to l830.By then a big local estate had fallen
into such a state of medieval decay that it had at last to be sold off
in parcels to landowners of a new breed. They tended to be Glasgow's new
toffs -- bankers, shippers, ironmasters. ''They were a kind of
half-baked gentry,'' is how Brian Lambie describes them. ''They liked to
come home and be weekend lairds.''
Among them was a rare man of parts called John Murray, farmer, estate
manager, civil engineer, and self-taught architect. He built Biggar's
waterworks, still in use, its Post Office, two churches, and a hotel.
Public buildings were designed by him in Hamilton and Lanark. Into big
country houses he led hydro electricity. He constructed a pipe organ
powered by water. And he was mad about motors.
He wheeched about his work in a French car, once adventuring to
London. There and back his chauffeur, reckoned to be the first
professional driver in Scotland, took l500 miles -- about twice the
shortest distance -- because they enjoyed motoring so much. (Petrol in
wooden crates was sent ahead to be picked up at train stations.) Except
on London streets they did not pass one other boneshaker on the
way.Although John Murray's first choice of a car was an imported
Panhard, he went on to become the godfather of Albions.
HE STAKED his farm for a bank loan to set up the making of dogcarts in
an upstairs Finnieston, Glasgow, workshop by a partnership of his son,
Tom Blackwood Murray, an electrical engineer who had shared his father's
country practices, and Norman Fulton, whose early work had been in
food-processing machinery before he became keen on cars.
Tricky with industrial espionage, the business of creating the first
Albion had about it as much secrecy as goes with the unveiling of a
modern new model. While Norman Fulton went to America to pick up
production tips, young Murray at night designed their eight horse-power
dogcart, sneakily keeping on his day job with a rival car-maker.
Meanwhile down on the farm, his father was taking delivery of axles and
gearboxes sent by Norman Fulton from the US and quietly ordering machine
parts from elsewhere.
''A lathe wrapped in straw went to and fro between Biggar and
Glasgow,'' Brian Lambie says. ''They tested their first model on the
quiet roads around here. Albion grew out of agriculture. When farming
people needed something they went and made it themselves. A hammer and a
spanner were enough to keep an Albion lorry on the road.''
Although Murray and Fulton at the end of l899 had registered their
company as Albion Motor Car, a handful of years later they were also
building commercial vehicles and by l9l3 were making nothing else. By
then the assembly line had been moved farther out of Glasgow to
Scotstoun.
At the start of the First World War, during which almost the entire
production was of chain-driven army lorries, Albion claimed to be the
biggest builder of commercials in the Empire.Schweppes, Cadbury,
Harrods, Tate and Lyle, Smiths Crisps, Lyons, Hoover and Bass were among
the household names on Albion fleets. All the railway companies used
Albions. Exports went to Russia (in time to be used during Lenin's
revolution), Canada, South Africa, and Ceylon. India and Australia were
especially enthusiastic customers.
Although Albion's name after a takeover by Leyland had by l972 slowly
disappeared, Australia remains rich in veteran vehicles, but India is
poor. Brian Lambie explains: ''While in Australia old trucks were dumped
in the bush where they didn't deteriorate, in India everything is
recycled and ends up as something else.''
Also scrapped is any record of who dreamed up the firm's motto, Sure
as the Sunrise, and even the source of Albion's name is only surmise.One
possible clue lies in how at the start of this century about half of the
horseless carriages in Britain, like old man Murray's first galloper,
were imported.
Brian Lambie guesses: ''I think it was just a name that sounded
patriotic. But it alphabetically put Albion at the top of directories
ahead of Argyll and Arrol Johnston, their Scottish rivals.''
What remains sure and certain is the Albion style. Output was
Clyde-built, meaning heavy but reliable. Its designers were seldom
innovative. Tried-and-true was more the Scotstoun way. From the start
the partners were canny.
They were more tuned to sturdy work-horse motors than with the
fashion-conscious, fickle, fiercely competitive, and financially
demanding world of car mass production. Sound plain quality was their
strength.The key creation of Tom Murray and Norman Fulton was the
reputation of fastidious Albion.
Continuing world-wide enthusiasm for their work is personified by Bill
Struthers, a garage owner in Jackton, when he parks at the former
sausage factory where Biggar now hospitalises wrecked Albion ancients.
Working on two other beautiful brutes, he has restored a l950 lorry of
which the original bodywork was done by his family's coachbuilding
firm.ONCE upon a time his cherished FT23N model carried brock for a
Lanarkshire pig farmer when it wasn't carting fertiliser from Leith
docks.
Of all the lorries that went in and out of the Jackton garage when
Bill Struthers was an apprentice, he still prefers Albions. He says:
''They were not the most luxurious vehicles. They were more spartan
than, say, Foden or ERF. But they were better for being robust and
sturdy. Indestructible is probably a good word to use about them.''
Although enduring, the makings of Biggar's next museum have needed
uphill drive to collect. Some important Leyland Daf people now share the
Albion obsession but it was not always so for long after the first
takeover in l95l.
Brian Lambie recalls: ''In the early 70s they humoured me a wee bit.
Leyland would sometimes postpone the day they were going to blooter
Albion's name out of existence altogether. But the plant managers kept
changing. We would always have to start again explaining that we were
the clowns who were trying to do something about preserving Albion.''
Biggar has not done badly. Some stonework, including the war memorial,
has been rescued from the former Scotstoun site (now a car park). The
museum trust made a film of the whole works. In the Albion Archive
complete job sheets and historic spares lists have been saved. Stored
items go down to factory details like cutlery from the directors'
dining-room and even ashtrays.
And Biggar magpies have the pecking order of every chassis the firm
made so they can date the 500 or so sturdy Scotstoun survivors around
the world, most of them still running.
''I think we have more of Albion than there is at Albion,'' Brian
Lambie can claim.
EVERY year since Tom Murray's centenary in l971 Biggar has celebrated
its motor pioneer with a rally of vintage and veteran wheels.
One very important vehicle expected from Lancashire is the l927
(Albion) Lyons tea lorry which won first prize in this year's
London-to-Brighton run for commercials.
For next month's Biggar gathering 200 cars and lorries will be on the
road, with Albions accounting for about half of the commercial class.
Tom Murray (he died in l929) is remembered fondly in the town, but
without awe. Biggar people called him Drainer Murray because as a boy he
liked to channel puddles from the school playground.
They say the most use he was about the place was for repairing old
clocks.Although an autocratic magnate, he was a generous neighbour.
''Everybody who turned up at the factory gate looking for work, if they
were from Biggar or Carnwath, they were in,'' Brian Lambie says.
Biggar Vintage Rally will have agricultural relics, old military
trucks, and vintage tractors all appearing to music from a fairground
organ.Admission is #2 (#l and 50p) from l0am on Sunday, August l6.
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