n Big Night (15) (Columbia Tristar, available to rent/buy - #12.99 - from Monday)

Set in New Jersey in the Eisenhower years, this gentle, melancholic comedy tells the story of two Italian immigrant brothers, Primo (Tony Shalhoub) and Secondo (Stanley Tucci), struggling to make their restaurant a going concern. Primo, a great cook, wants to return to Italy where food is appreciated; Secondo (the minor who thinks he takes the major decisions) has dreams of success and the good life, and is never leaving the land of opportunity.

Other storm clouds are gathering: the bank is threatening to foreclose. Rival restaurateur, Pascal (Ian Holm, with the craziest fake Italian accent I've ever heard) refuses Secondo a loan, but says he'll get jazz genius Louis Prima to visit the restaurant instead: the big night.

Tucci's directorial debut lingers a little too long at points, but this affectionate study of the way our dreams can wither, and of how family can stifle as well as support, is tenderly filmed, with a sympathetic eye on what it means to struggle but know success is for others. A treat.

n The People vs Larry Flynt (18) (Columbia Tristar, available to rent/buy - #12.99 - from Monday)

Larry Flynt's great offence seems to have been to make pornography not for the Hefner jet-set but for the blue-collar worker, and he paid dearly for it - not just in his endless defence of his right to free speech but also in an assassination attempt which left him crippled (he arrived at the 1997 Oscars in his usual gold-plated wheelchair - now, that's bad taste) and, temporarily, not a little insane.

This biopic is a success on several levels - it tells the American Dream of Flynt's white-trash-made-good life with zing and makes the ins-and-outs of his court cases interesting (no mean feat for such a recondite field), and it also imbues Flynt with something of the heroic - he may have been a self-confessed scumbag but he had a cussed determination to say what he liked, how he liked, to anyone he liked.

Courtney Love is great as Flynt's wife Althea, but Woody Harrelson easily steals the show as Flynt - chewing over his dialogue like it was prime rib. Althea's young death from Aids gives the film its most poignant scene, which left me moist-eyed. A film unexpectedly as intoxicating as best bonded.

n The Simpsons Against the Rest of the World (PG) (Fox, to buy - #12.99 - from May 26)

Has a cartoon series ever referred to the evacuation of Saigon before? And been so confident as barely to draw attention to it? From the spoof socialist-realist poster cover (Sugar Beet Production Is Up 5%, Comrades - that kind of thing) to the Aboriginal styling of the theme music on the final episode (about Bart offending Australia and being forced to apologise), here are four great pieces of Simpsoniana which shoot ideas like a Catherine wheel shoots sparks. All are good, but the best are Marge vs the Monorail, where Springfield is tempted to squander a windfall on a dodgy public transport scheme, and Bart vs Australia, a satire on America's world leader status. Serious fun, and seriously funny.