Anne Simpson talks to Julia Carling about her life, her husband, and
the Princess of Wales
SOMEWHERE in the footnotes of history Julia Carling will reside as the
woman who desanctified Diana and, however fleetingly, made a future king
a happy man. In her perfectly judged dismissal of the princess with the
coy but roving eyes, Julia Carling has indirectly strengthened claims by
Charles's allies that he had the royal misfortune to marry a child who
turned into a destructively scheming neurotic.
What we are witnessing now, however, is a silky catfight between two
blonde sophisticates. And languishing in the middle there is a husband
possessed of such vain stupidity he trashes his own ego. It is a tale
which old Hollywood might have called The Fall of the Dumb Ox, starring
a doomed Jean Harlow, triumpant Claudette Colbert and Victor -- victim
of his pectorals -- Mature.
The story so far is this: Will Carling, captain of England's rugby
gladiators, no sooner expresses remorse to his wife for succumbing to a
silly flirtation with the Princess of Wales than he breaks his word that
the friendship is over by dropping off a couple of gifts for the young
princes at Kensington Palace.
And from an ante-room in that wretched household someone slips out to
tell the tabloids. By now Will not only looks like a bounder, he also
appears to be both a dumped and stitched-up plaything, for Diana, who
allegedly instigated the visit, is elsewhere when he calls. In fact, she
is comforting the stricken husband of her acupuncturist at Chelsea's
Royal Brompton Hospital, and doesn't return to the palace until Carling
has long gone.
Well, it might all be innocent, the last episode in fulfilling a
promise made some time ago to the Windsor boys. But somehow it has the
brimstone whiff of revenge directed not so much at Carling -- he is now
a mere humiliated incidental in the row -- but against the gamine Julia
whose public reprimand to Diana was all the more effective because of
its well-modulated politesse.
Julia Carling, in fact, is the only class act to emerge so far in this
unending saga of Splitsville. Her dazzling, confident demeanour is, of
course, the stuff of her former trade in public relations; a quality,
too, which has just landed her a #80,000 contract as a presenter with
Carlton Televison.
Equally, her years of working with poised but emotionally wounded
stars like Tina Turner has taught her how to wrap a photo opportunity
around a heartache. Certainly her response to disclosures of the sly,
thrice-weekly meetings between her husband and the princess was
impeccable.
She gauged correctly that any visible melancholy on her part, although
eliciting sympathy, would mark her down ultimately as a loser. Look how
quickly the media mauled a wan-faced Liz Hurley after Hugh Grant's tacky
night of betrayal.
No, Julia would assume the Perfect Prefect role she had earned at
Oakham School in Rutland in her native Northamptonshire. There she was
raised, the only daughter in a family of three, learning to say her
prayers at night and observe the niceties of the bourgeois well-to-do.
''This has happened to Diana before,'' she said, a reference to the
princess's past use of married men as confidants. Striking just the
right note of regret and censure, Julia Carling added: ''You hope she
won't do these things again, but she obviously does. However, she picked
the wrong couple to do it to this time. She really did.''
So, for a second occasion since their marriage a year ago, Julia had
skilfully deflected attention from her husband's crassness by focusing
it on herself. When Carling lost the England captaincy for referring to
members of the Rugby Football Union as ''57 old farts'' it was she who
charmed the old farts into restoring the title, wistfully lamenting that
it would be sad if Will's dreams should be shattered for the sake of one
careless slip of the tongue.
Now, aged 30, and one year older than Carling, her only mistake in a
sure-footed existence may curiously turn out to be that formidably
stoical aplomb which somehow reduces Carling the Hunk to Carling the
Creep. It could also be argued that she erred in marrying a man so less
clever than she. Will Carling's intellectual muscle would scarcely fill
a jockstrap, but love makes everyone slightly potty and within one month
of dating, Julia had accepted Will Carling's proposal of marriage.
''We had a very traditional church wedding that meant a lot because
this was the way I had been brought up,'' she says now. ''In fact, when
we came back from honeymoon that was the first time Will and I had lived
together. I felt very strongly about that.''
Yet in her early twenties, Julia Carling did break out of middle-class
decorum to chuck her place at Goldsmiths' College in London and live for
six years in America with a rock musician called Jeff Beck. But she was
always strict about sexual fidelity and the relationship is said to have
ended when she discovered Beck was having an affair with a Page Three
model.
Today she says of her marriage: ''Will and I are determined to sort
things out but we still have a long way to go. I don't have any
malicious feelings inside me and, contrary to what people may think, I'm
not a hard, aggressive type. But I feel: 'Sod this, I have a life too,
and it's not going to help if I go around looking bereft and
terrible'.''
It worries her, she insists, that the media portrays her as some sort
of no-nonsense icon. ''I'm not at all comfortable with that and the fact
is, as many women know, this is a hell of a thing to endure. Much of the
time I want to go home, watch Coronation Street, and weep. And I still
say my prayers at night, asking God to help us pull through together.''
Julia Carling's final school report noted: A sharp mind, enjoys
debate, offers the novel rather than the predictable answer. One former
pupil remembers her as ''very quiet''; another as ''the most
self-promoting person I ever met''. Not unaware of such comment, she
ruefully confides that she is now regrettably wary of ''friends''.
But people trained in PR worry so much about keeping a broad smile on
the face of truth that one suspects this sometimes leads them into that
cosmetic artifice where truth gets lost in fiction.
Julia Carling admits as much when, surveying the past few weeks, she
says: ''The thing I find most difficult is not being able to express my
deepest feelings because the whole business has become public
property.''
There is no doubt, however, that she has done the House of Windsor a
considerable favour. Up to this Diana's popularity still outstripped
that of Charles, perhaps the most troublesome aspect of their
separation. Now Diana herself has stymied the chances of setting up an
alternative court by allowing herself to be portrayed as predatory,
meddling with other people's marriages, perhaps out of some warped and
wilful discontent.
Curiosity about her fate will remain fervent but already she is being
edged into a social limbo by the Establishment which would rather bow to
a dishevelled monarchy than to one of its own damaged escapees. And on
that day when Diana's royal aura is finally extinguished no-one will
rejoice more than those watchful wives of all her over-flattered fools.
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