Music
Scottish National Jazz Orchestra: Mancini & Mandel,
Royal Conservatoire of Scotland, Glasgow
Rob Adams
four stars
JOE Locke didn’t need to confess to being an emotional sort of guy as he composed himself to give his thanks at the end of this concert. The vibraphonist had, by then, already been singing the blues for a couple of hours on an instrument that doesn’t always lend itself to such frank expression, his four pink-topped mallets landing meaningful affectionate blows on the chime bars with unerring certainty.
Locke and his discovery, California-based singer Kenny Washington, were the focus of this celebration of two great songwriters whose work is readily familiar but was here given smart new arrangements – typified by the sumptuous orchestral voicings and kicking energy with which Locke himself revitalised Johnny Mandel’s The Shadow of Your Smile.
They make a contrasting pair, these two Americans. While Locke is outgoing to the point of flamboyance as he transfers the phrases in his head to his instrument with lightning reflexes, Washington is physically undemonstrative and self-contained, his immaculate clarity borne on a beautifully warm tone that paints pictures with words.
On one detour from the Mancini & Mandel script that included a superbly paced Moon River and a romping Pink Panther, Locke recalled the late saxophonist Bob Berg and not only did Washington capture the feelings and scene that Locke had described in introducing Verrazano Moon, but you could just imagine Berg emoting on its evocative melody.
In a nice touch, the guests were given the encore to themselves and sent the audience home with a vocal and vibraphone duet of Locke’s Available in Blue that provided a perfectly poised soulful coda.
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