Hector Bizerk

The Waltz Of Modern Psychiatry

(self-released)

Conceived as the soundtrack for stage play Crazy Jane, the story of a mentally ill can-can dancer in Toulouse-Lautrec's Paris, this third full-length album from Glasgow hip-hop band Hector Bizerk is an immense piece of work that immediately claims its own space away from the stage lights.

It begins with an actual waltz, an instrumental overture that's like Tom Waits scoring Betty Blue, while Waits's junkyard beats throw an arm around a Spanish guitar to wind through Pigalle's streets on the title track before rapper Louie's torrent of words explode the fragile mood.

Context is everything: the asylum narrative adds anxiety, paranoia even, to Louie's flow, his storytelling engrossing, his wordplay ("French kiss a clenched fist") an intense poetry. Voyeuristic remarks about women that would be rap misogyny elsewhere are disturbing, intelligent and historically insightful in Crazy Jane's incarcerated frame of reference.

The album gives drummer Audrey Tait a showcase for the full range of her beautifully-toned percussion skills and, equally, an opportunity to push further her talent as a producer: this album really is the culmination of the boundary-breaking experiments heard on Hector Bizerk's recent series of EPs themed around Glasgow's coat-of-arms. Truly, I can't think of another Scottish band whose creative horizons have expanded so magnificently in such a short space of time.

Alan Morrison