You just have to read the title to know what’s in store here - lots of comic malarkey and rip-roaring farty fun from a sassy, gassy fairy whose exuberance is barely contained in a sparkly-spangly costume.

If the net and sequins of Stinkerbelle’s teensy wee outfit are strained to bursting, then so are the connections with JM Barrie’s original narrative - but never fear, Johnny’s here to ensure that the essentials are all covered! He’s merrily tweaked and updated his 2013 Tron production, sashayed into the bootylicious role of Stinkerbelle himself and - thanks to a cast who are willing and able to go over the top at the drop of a pun - he’s delivered the kind of show that is all Tron audiences want for Christmas.

Johnny McKnight gets the credit as director, but this is very much a like-minded team effort. Designer Kenny Miller has created witty costumes where vulgarity meets swanky wishful thinking. Hook’s kilt, with its scattering of glittery Jolly Rogers on the front, fits the character delivered brilliantly by Robert Jack: lots of wannabe swagger, a tad camp, yet slightly ridiculous with it.

His sidekick, Anita Wee-Wee (Katie Barnett) is as delightfully daft as her rag-bag attire while West End Wendy (Emma Mullen) is faux-demure in a gingham play-suit - typical of the gosh-posh Darling-Darling family whose aspirations and affectations get pithily sent up. Surely Wendy couldn’t fall in love with a gallus wee ned like Peter Panto (Star Penders)? Suspend your disbelief - before the interval, Hook and Stinkerbelle are also a smoochy item!

The odd couple romances and buckling of swashes are the stuff of some tremendous song 'n’ dance routines - music by Ross Brown, moves by Eva Forrester - where humour and glitz combine a treat. Do we believe in pantos a la Johnny McKnight - clap your hands if you do. And we surely do, with gusto!