Travel: Take a trip "Doon the Watter"
A trip "doon the watter" – aka the River Clyde – on a paddle steamer to Helensburgh, Gourock, Largs, Rothesay, Millport and Dunoon was once the highlight of the year for many Glaswegians of yore.
Arts writer
Jan Patience is one of Scotland’s most well-known and respected arts journalists. As well as writing a regular visual arts column for The Herald, for the last decade, she is a regular arts expert on television and radio programmes. Listeners to and viewers of BBC Radio Four’s ‘Front Row,’ BBC Radio Scotland, the new BBC Scotland channel and Scottish TV are all familiar with Jan’s considered analysis. She is also a social media influencer in the arts sphere and has a strong and varied presence. She is co-author of a biography of the internationally-acclaimed Scottish artist, George Wyllie, called Arrivals & Sailings: The Making of George Wyllie (Polygon Books).
Jan Patience is one of Scotland’s most well-known and respected arts journalists. As well as writing a regular visual arts column for The Herald, for the last decade, she is a regular arts expert on television and radio programmes. Listeners to and viewers of BBC Radio Four’s ‘Front Row,’ BBC Radio Scotland, the new BBC Scotland channel and Scottish TV are all familiar with Jan’s considered analysis. She is also a social media influencer in the arts sphere and has a strong and varied presence. She is co-author of a biography of the internationally-acclaimed Scottish artist, George Wyllie, called Arrivals & Sailings: The Making of George Wyllie (Polygon Books).
A trip "doon the watter" – aka the River Clyde – on a paddle steamer to Helensburgh, Gourock, Largs, Rothesay, Millport and Dunoon was once the highlight of the year for many Glaswegians of yore.
THEY say never judge a book by its cover, but I took one look at the livid red cover of The Pharmacist, and I wanted to dive inside.
In 1991, the Society of Scottish Artists (SSA) marked its centenary year by publishing a book which told its story. As the redoubtable Cordelia Oliver, former art critic of The Glasgow Herald, as it was then called, wrote in an introductory essay, the original object of the Society as laid out in 1891, was "… to foster a taste for Art by instituting an Annual Exhibition of different Schools and to facilitate the intercourse of those connected with, and interested in Art."
When John Mackechnie studied drawing and painting in the Glasgow School of Art's (GSA) famous Mackintosh Building in the late 1960s, he found himself out of step with the traditional teaching in place at the school.
It's Sunday morning and despite having been on gazillions of Zoom calls over the last 18 months, I begin my conversation with artists Chao-Ying Rao (aka Betty) and Robert McCormack on mute. The story of many lives in the last year…
When you walk into an exhibition of paintings and feel energy bouncing off the canvases and straight into the unconscious part of your brain which affects your mood, you know that something is working.
You generally get the measure of a person by the company they keep. In the case of painter Wilhelmina Barns-Graham, who lived between the fishing town of St Ives in Cornwall and St Andrews, the company she kept was art royalty.
The painter Alison Watt has spent a lifetime looking. Not glancing, the way the rest of us tend to survey the world, but really looking. On the few occasions, I've met her, in person, there is a quiet stillness about the way Watt carries herself and in the way she talks. A bright shimmering intelligence which surrounds her like an aura.
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