Paintings in demand
A CERTAIN section of Glasgow has really taken to culture. To be more
exact, they've taken to taking culture.
We are talking about the city's tea-leafs. The light-fingered brigade
have discovered that where there's art there's cash.
A number of galleries have fallen victim to this upmarket shoplifting.
We will not name because many of them are busy installing security
cameras and employing extra staff to deal with this criminally cultural
activity. Among the artists whose works are no doubt currently being
peddled around the less respectable collectors are works by various
early twentieth-century Scottish painters as well as more modern chaps
such as John Byrne and Douglas Thompson.
Attractions for all
STILL on the culture front, the Diary believes that Glasgow's Great
British Art Exhibition at the McLellan Galleries is bound to be a big
hit with Glasgow audiences.
The fact that it has 50 of the top names in British art, from David
Hockney to John Bellaney, doing their stuff will be a factor. But the
fact that one of the exhibits is a big green counter with two videos
playing Frank Sinatra's I Did It My Way on a loop should endear the show
to the citizens who do so like a good tune.
Then there is the representation of Mrs Thatcher as a statue made up
of rusty tins, which should go down nice.
Me? I liked Sir Anthony Caro's big sculpture of a brass elephant, I'm
just sad I missed his monkeys.
Cartoons recalled
THE Bud Neill cartoon memories continue to come in. Nigel Dewar Gibb,
sent in, along with his welcome donation to the Lobey Dosser fund, his
recollection of yet another Neillian nautical work. It featured ''a very
small boy staring up and listening, open-mouthed, to the awe-inspiring
figure of a senior gold-braided naval officer pointing from the bridge
of what appeared to be a very large vessel. The vessel, on closer
inspection turned out to be the Renfrew Ferry. The caption read: 'Yonder
-- to the north -- it lies; dark, brooding and mysterious -- Yoker'.''
William Allan (alias Bankie Bill) of Hardgate recalls a cartoon which
depicted a doctor at a patient's bedside. The caption was simply:
Doctor -- ''Cumfy?''
Patient -- ''Govan.''
Spirit lives on
THE spirit of Bud Neill lives. Jane Rentoul of Kilmelford in Argyll
reports a conversation with a Glasgow van driver. Commenting on the
roads in Argyll with particular reference to the floods in winter and
floods of cars and caravans and tourist traffic in the summer, he
uttered this observation: ''You always get it no' very good here, don't
you?''
Clashing batons
SOME news from the front-line at the Scottish National Orchestra where
relations do not appear to be of the best between Field Marshal
Christopher Bishop and the rest of the troops. In fact, lines of
communication do not seem to be fully open between him and his
brigadier.
Not only is conductor Bryden Thomson not having his contract renewed,
he has not even signed the current one. This is because Christopher
Bishop tried to restrict Thomson's recording activities with other
orchestras. His recording work with the London Phil is earning golden
opinions, a fact which is thought to make Bishop less than happy.
The vote on the shop-floor would probably go with Bryden Thomson, even
though he is regarded as being his own worst enemy because of his
abrasive manner.
Many people feel the SNO should persevere with him because he is very
talented and he is a Scot.
Meanwhile, Christopher, the Arch-Bishop, as he is also referred to, is
earning a reputation of being somewhat Machiavellian in his dealings
with other Scots orchestras, who find that co-operation they once could
expect from the SNO is no longer there in such generous measure. A for
instance was the concert at the last Edinburgh Festival when the BBC
Scottish Symphony Orchestra mounted an ambitious performance of Berlioz'
Requiem, requiring many subs from other Scottish bands.
The word went out from on high that no SNO players were to help out.
See Culture? See Concerts? See Guerrilla Warfare?
Scrumming together
THE world of Scottish rugby, still high as a kite after the Grand
Slam, is waiting with bated breath for what sounds like the marriage of
the century.
The former pupil's rugby clubs of two of Glasgow's most famous schools
-- Hutchesons' and St Aloysius' -- are considering a merger. In these
days of limited numbers of players and too many clubs it seems to make
sense.
That would be true in this case were it not for the often thought but
seldom discussed fact that the two schools are traditionally at either
end of the good old Glasgow religious divide.
The early alumni of Hutchie, while it was still in Crown Street in
Gorbals, could regularly be seen battling it out with the pupils of St
Bonaventure's nearby with the enigmatic cry of ''Billy, Dan or kick the
can.''
It seems that Hutchesons' Rugby Club ex-president Jimmy McNeil, now
heid bummer at the Scottish Rugby Union, is reserving his position on
the merger plan. Some of the old boys of both Hutchie and ''Wally
Dishes'' as the Jesuit College in Garnethill was often less than
affectionately known are already convinced it is a bad idea.
The Diary thinks the merger of Sainty and Hutch makes even more sense
than Mo Johnston signing for Rangers.
Nose for art
ON a related subject, the Diary was sent details of a vegetarian arts
centre in North London with a familiar name. ''The Blue Nose is an
independent non-political venue for all forms of the arts. As such, all
are welcome, regardless of colour, race, politics, age, gender or any
other discriminatory grouping . . . The Blue Nose is an environmentally
friendly concern.''
But how did they come up with the name? ''It was just the daftest name
we could think of at the time,'' quoth a spokesperson.
Why are you making commenting on The Herald only available to subscribers?
It should have been a safe space for informed debate, somewhere for readers to discuss issues around the biggest stories of the day, but all too often the below the line comments on most websites have become bogged down by off-topic discussions and abuse.
heraldscotland.com is tackling this problem by allowing only subscribers to comment.
We are doing this to improve the experience for our loyal readers and we believe it will reduce the ability of trolls and troublemakers, who occasionally find their way onto our site, to abuse our journalists and readers. We also hope it will help the comments section fulfil its promise as a part of Scotland's conversation with itself.
We are lucky at The Herald. We are read by an informed, educated readership who can add their knowledge and insights to our stories.
That is invaluable.
We are making the subscriber-only change to support our valued readers, who tell us they don't want the site cluttered up with irrelevant comments, untruths and abuse.
In the past, the journalist’s job was to collect and distribute information to the audience. Technology means that readers can shape a discussion. We look forward to hearing from you on heraldscotland.com
Comments & Moderation
Readers’ comments: You are personally liable for the content of any comments you upload to this website, so please act responsibly. We do not pre-moderate or monitor readers’ comments appearing on our websites, but we do post-moderate in response to complaints we receive or otherwise when a potential problem comes to our attention. You can make a complaint by using the ‘report this post’ link . We may then apply our discretion under the user terms to amend or delete comments.
Post moderation is undertaken full-time 9am-6pm on weekdays, and on a part-time basis outwith those hours.
Read the rules hereComments are closed on this article